Taos Center for the Arts Talk

A few weeks ago I shared some of my recent experiences with virtual conferencing. Today, I’ll talk about another virtual event that I just participated in last week, a conversation about the Community Art Center Project in New Mexico.

The poster from last week’s event.

This event was hosted on Zoom by the Taos Center for the Arts. What was especially cool about this conversation was that you were able to hear from two of the Roswell Museum’s curators: Aubrey Hobart, current Curator of Collections and Exhibitions, and myself. Aubrey and I met in person before I left, and we’ve remained in touch intermittently since then, so it was an easy and natural conversation between two people who care a lot about this institution.

Compared to a conference or symposium, this was a more informal talk. To prevent Zoom fatigue we keep the event to fifty minutes. About forty minutes or so of that time was spent talking, with the final ten minutes being reserved for questions. I spoke during the first half, where I discussed the history of the Federal Art Project, the Community Art Center Project, and finally the three different community art center sites in New Mexico at Gallup, Melrose, and Roswell. During this part of the talk, I played a slide show featuring historical images of the Roswell Museum and other sites.

Looking into the main gallery at the Roswell Museum, 1938. This is one of the pictures I showed during my part of the talk.

We then transitioned over to Aubrey, who talked about the Museum’s current layout, upcoming events and activities, and the importance of supporting this institution during what is proving to be a challenging moment in its history. COVID-19 has adversely affected the economy in southeastern New Mexico, so the Museum’s staff and funding have both been reduced. Frankly, I don’t know what the Museum’s long-term prognosis looks like, which was one of the reasons why it was important to have a current staff member speak on its behalf. Aubrey’s presence and presentation reminded viewers that the Roswell Museum is still around and serving the community, but it could use some support right now.

They say in a lot of professions that it’s not necessarily what you know that counts, but who you know, and that definitely influenced this event. The Director of the Taos Center for the Arts, Colette LaBouff (who is also a published poet and writer), was one of my coworkers at the Roswell Museum before she landed her current position. She’s been following my blog since then, and based on my previous experiences in New Mexico, thought I would be a good fit for an informal talk. When she asked me if I could think of anyone who’d like to participate with me, in turn, I immediately thought of Aubrey, as I thought it’d be a nice way to spotlight current happenings at the Roswell Museum. I may not work there anymore, but I still like to think of ways to highlight that institution.

Overall this was a fun event. While the energy I often get from live audiences wasn’t there in the same way, I still found myself getting excited and enthusiastic once I got going. It was also cool to be able to participate from across the country, and to interact with audience members despite being 2,000 miles away. Similar to my observations on virtual conferencing, Zoom conversations like this one can also enable institutions to host a variety of speakers without worrying about the cost of travel, which could be cost-prohibitive depending on the distance or schedule. Likewise, I appreciated that I was able to fit this one-hour commitment at the end of a regular workday, whereas before I would have had to set aside a day or two for travel. As nice as it would be to see these places in person (especially Taos), it’s also good to be able to work on my William & Mary commitments without compromising my schedule.

Overall, I had a good time, and I wouldn’t be surprised if these kinds of events remain commonplace, at least for the immediate future.

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